The Hero’s Journey

If you’ve attended a writing seminar or read an article or post about story structure or about filmmaking, you’ve probably heard about The Hero’s Journey. Based on an analysis by Joseph Campbell of myths across cultures and through the ages, it is used in many successful movies, including my favorite, The Terminator. Many novelists use it as well.

This Friday’s recommendation is a succinct (8 minutes 40 seconds, to be exact) explanation of The Hero’s Journey from The Journeyman Writer:

http://storywonk.com/the-journeyman-writer-32-beginning-the-heros-journey/

I hope you find this helpful. Best wishes for a productive and/or relaxing weekend!

L. M. Lilly

P.S. If you’d like to try a simple, quick way to plot enough of your novel to provide structure without locking yourself into a detailed outline to soon, try Super Simple Story Structure: A Quick Guide to Plotting and Writing Your Novel.

Money, Business, The Rich, And The Poor

This Friday I’m recommending a book that’s not new, and it’s not about writing. Telling you that up front probably is a bad idea, as everyone wants what’s new, and this is a blog about writing. All the same, if you haven’t yet read it (and even if you have, you might want to reread it), Richard Kiyosaki’s Rich Dad Poor Dad: What The Rich Teach Their Kids About Money – That The Poor And Middle Class Do Not! is one of the best books you can read if you’re pursuing writing.

Why? Because it causes you to think differently about your time and effort. I read it when I’d nearly finished law school. I had a high-paying job lined up at a large firm, and I actually wondered whether if I’d read this book first, I would have skipped law school and focused right off on how to generate income through creating assets rather than entering a profession where I would be selling my time. At a high price, yes, but my time is still a limited quantity. And because I’d been writing on the side since college, I wished I’d looked into ways to earn money that would free up hours rather than fill them.

The next time I read the book was on a long plane flight to a personal writing retreat I created for myself. For ten days in a warm climate, I focused on writing and where I wanted to be five years down the road. At that time, I was running my own law firm. It was going well–so well that I rarely had time to write. Rereading Rich Dad Poor Dad wasn’t part of my retreat plan, but I had my Kindle and had finished the book I was reading on the plane. I downloaded Rich Dad because I remembered it being inspiring.

It was. During that retreat I started sketching out what I’d need to do to get  to where I could write full time. It was the first time I believed I could do it and seriously contemplated leaving a busy law practice behind.

Regardless whether you want to ultimately leave your current profession or career, Rich Dad Poor Dad can help you start thinking creatively about how to maximize your time. It also provides inspiration for those long hours when you’ll be writing a novel, uncertain if you’ll ever sell it.

What books have most inspired you over the years? Drop me a note at [email protected] or click on the Comment button in the upper left corner and share.

Until Sunday….

Best,

L. M. Lilly

P.S. If you’d like to see which articles, podcasts, and books I’ve suggested on previous Fridays, click Recommendations in the category list to the right.

Author Earnings On Amazon

Sunday’s post (Do You Need A Publisher, Part 3: Money) addressed how the  publishing path you take might affect how much you earn. This week’s recommendation is a report from AuthorEarnings.com tallying author earnings based on over one million titles available on Amazon.

The data is presented in income brackets, such as $10,000 in Amazon sales per year and seven figures in Amazon sales per year. The report includes graphs showing how many authors fit in each bracket by type of publication, so you can see the number of self-published authors versus Big 5 published authors who, for instance, earned six figures per year from Amazon sales.

The report also compares long-established authors with newbies. For example, the report shows “1,340 authors are earning $100,000/year or more from Amazon sales. But half of them are indies and Amazon-imprint authors. The majority of the remainder? They come from traditional publishing’s longest-tenured ‘old guard.'”

You can read the AuthorEarnings report here:

http://authorearnings.com/report/may-2016-report/

Have a great weekend!

L. M. Lilly

Buying The Job Of Writing

The first time I published a novel, I took part in an on-line book release promotion that included nine thrillers, each priced at 99 cents for the ebook edition. That was in 2011. The promotion brought me to my first 200 sales for The Awakening, which was very exciting at the time. Over the next few years thousands of copies sold but I was running a busy law practice and didn’t release Book 2 in the series for another three years. Not the best marketing plan, but that’s a topic for another day.

One of the other thriller writers who took part, Russell Blake, was writing full time. He published thriller after thriller, became a New York Times and USA Today best selling author, collaborated with Clive Cussler, and now has an Amazon world devoted to one of his series. (OK, I’ll stop now because I’m getting depressed.)

In 2015, Blake wrote a great post about what he would have told himself as newbie author. It’s a funny and informative article, the main thrust of which is that if you’re successful as an author, you’ve bought yourself a job. You can check it out here. Please share your thoughts on it in the comments.

Have a great weekend.

L. M. Lilly

Why And How Self-Published Authors Offer Free Books

This Friday’s recommendation is an episode from the website that I find most useful on writing and publishing, The Creative Penn. (The double-n comes from host Joanna Penn’s last name.) Joanna interviews Damon Courtney, the founder of BookFunnel.com. BookFunnel is one way authors can offer a free book for various purposes, such as providing review copies or giving readers a free book to sign up for an email list. He and Joanna also discuss the rise of indie publishing.

Joanna generally spends the first part of each show updating listeners on her publishing journey and commenting on tweets and emails. If you want to skip to the interview, click this link, hit play, and move to 19:30.

Have a good weekend! Stop back on Sunday for a new post.

L. M. Lilly

P.S. Joanna always includes bullet points from and a transcript of the interview on the page with the episode, so scroll down if you’d rather read it or prefer to skim the content before listening.

Self-Publishing Overview

This week I’m recommending the tips and news portion of the year end Sell More Books Show. It’s an overview of what’s been happening in publishing and self publishing over the last year. If you’re new to marketing your own work or thinking of self publishing at some point, it also serves as a great introduction to both.

The Sell More Books Show podcast issues every Wednesday. Between the two of them, the hosts write and sell fiction and have extensive experience in copywriting and digital commerce. The show typically starts with listeners’ answers to the previous question of the week and some ad reads for patrons of the show. I like hearing the ads because it helps me evaluate what sorts of tag lines for books do and don’t catch my interest.

The meat of the show comes it two parts — tips of the week and news of the week. The former are tips from various authors and self publishers, culled from blogs and other shows, on writing and marketing. The news portion covers developments in the publishing industry as a whole, both indie and traditional publishing. The word “news” is interpreted fairly broadly, as it sometimes includes musings from authors in on-line communities that strike me more as commentary and conjecture than fact (okay, I admit it, I’m old enough to still think of news as information that’s vetted and fact-checked and separate from commentary).

On my first listen of this podcast, some of the sound effects (such as burbling when there’s what’s called a lab segment) and the hosts’ nicknames (“Jazzy Jim Kukral” and the “Bad Man Bryan Cohen”) put me off, as I thought there might not be much substance. But I find I typically listen to the entire show when I tune in, though it’s often almost an hour, as there is plenty of helpful information with just enough chatting and joking to get a feel for who the hosts are.

Click here for the episode. (Scroll down half a page or so to get to the Play button.) If you want to skip the preliminaries, move the counter to 9:50 to start with the tips.

Best wishes for a good weekend and a happy, safe, and peaceful New Year.

L. M. Lilly

Self-Editing For Fiction Writers

Whether you plan to submit your writing to a publisher or agent or to publish it yourself, you need to know how to line edit your work. That goes beyond basics such as correct spelling and grammar. For your writing to be clear and strong, you’ll need to use active voice most of the time, avoid repeating the same words, and replace weak verbs with strong ones, among other things.

Self-Editing for Fiction Writers is the best book I’ve ever read on how to review and edit your own writing to make it shine. It’s easy to read and easy to apply the points the authors make.

Have a peaceful, wonderful weekend (and holiday if you’re celebrating one).

Best,

L. M. Lilly

P.S. Even if you plan to hire an editor and proofreader to review your manuscript, you still need to know what a properly edited piece of fiction looks like. If you don’t, you’ll run the risk of paying a significant amount to a poor editor, only to find out after you hit publish and see reader reviews that your novel is filled with typos and grammar mistakes.

Do You Write/Love/Read Literary or Commercial Fiction?

If you’ve ever wondered why novels are classified as literary versus genre/commercial fiction, why you love a book your friend calls “trash” or vice versa, or whether you are writing literary or popular/commercial fiction, this 10-minute Journeyman Writer episode is for you.

In this episode, my favorite writing podcast covers—in the clearest fashion I’ve ever heard or read—the distinction between genre and literary fiction. As always, host Alastair Stephens sticks to the point, is thoughtful and entertaining, and has a voice you’ll love to listen to.

You can listen at the link below or follow the instructions to download to your phone or listen on iTunes (or whatever podcast app you use).

Episode 15: Genre vs. Literature

Have a wonderful weekend.

Best,

L. M. Lilly